Mar 25, 2021
Book Vs Movie: “Cabaret”
The Backstory Behind One of the Most Popular Musicals of All Time
“Musicals in March”
The Margos are adhering to the motto “life is a cabaret!” this week with our deep dive into a musical that is based on a book about Berlin’s underground night scene in the 1930s by Christopher Isherwood (Goodbye to Berlin.)
In the mid-1960s Broadway legends, John Kander and Fred Ebb (Chicago) created the book and music for Cabaret with a book by Joe Masteroff which was set in 1929-1930 Berlin when the Nazis were gaining power and the bon vivant lifestyle was being ostracized. (And Jewish people were basically deemed “illegal” and lost their right to own property or their own businesses.)
Sally Bowles is one of the theater’s most interesting creations. Based on a friend of Isherwood’s, Jean Ross, Sally is a terrible singer who somehow makes a living at the “Kit Kat Club” in Berlin. Perpetually broke, she lives with American writer Cliff Bradshaw.
They have something of a romance (in between them both having affairs with men.) When Sally becomes pregnant and Hitler is rising in power--she realizes that the party is over and she needs to flee.
Throughout the musical, there are several memorable tunes and (depending on the choreographer) sexy “jazz babies” who backup Sally on stage.
The Harold Prince-directed show premiered in November 1966 and swept the Tonys the following year. There have been several revivals on Broadway and on the London stage throughout the years with an array of Sally’s including Judi Dench, Michelle Williams, Jane Horrocks, Natasha Richardson, and Emma Stone.
The part of the emcee was originally played by Joel Grey as an asexual character with rouged cheeks. Later, Alan Cumming would create a highly sexual version in a production directed by Sam Mendes and still plays the character to this day!
In this episode, we will focus on the 1972 film directed by Bob Fosse (with uncredited assistance by Gwen Verdon) and stars Liza Minelli. It is the basis for all of the sexier versions that have been produced since. It would go on to win several Academy Awards including Best Director and Actress.
So between the original book/play and the film--which did we prefer? Have a listen and find out!
In this ep the Margos discuss:
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